Using our working table tops, with surfaces worn by marks, drill holes, and smears, creates a painting that carries the stories of its past—each imperfection a testament to the labor and life it once supported. By overlaying screen-printed images and paint, a dialogue emerges between the unpredictable and the deliberate, the organic and the structured. These pieces reflect on how we impose order on the chaos of our experiences, yet how that very chaos enriches the narrative.